Day 1 |
WoO 63 |
Variations on a March by Dressler |
1782 |
Day 2 |
WoO 47, No. 1 |
Piano Sonata in E♭ Major |
1783 |
Day 3 |
WoO 47, No. 2 |
Piano Sonata in F Minor |
1783 |
Day 4 |
WoO 47, No. 3 |
Piano Sonata in D Major |
1783 |
Day 5 |
WoO 31 |
Fugue in D for Organ |
1783 |
Day 6 |
WoO 48 |
Rondo in C Major |
1783 |
Day 7 |
WoO 49 |
Rondo in A Major |
1783 |
Day 8 |
WoO 107 |
“Schilderung eines Mädchens” |
1783 |
Day 8 |
WoO 108 |
“An einen Säugling” |
1784 |
Day 9 |
WoO 4 |
Piano Concerto No. 0 |
1784 |
Day 10 |
WoO 36, No. 1 |
Piano Quartet in E♭ Major |
1785 |
Day 11 |
WoO 36, No. 2 |
Piano Quartet in D Major |
1785 |
Day 12 |
WoO 36, No. 3 |
Piano Quartet in C Major |
1785 |
Day 13 |
WoO 82 |
Minuet in E♭ Major |
1785? |
Day 14 |
WoO 37 |
Trio in G for Piano, Flute & Bassoon |
1786? |
Day 15 |
WoO 55 |
Prelude for Piano in F Minor |
1786–87? |
Day 16 |
Opus 39 |
Two Preludes for Piano or Organ |
1789? |
Day 17 |
WoO 87 |
Cantata on the Death of Joseph II |
1790 |
Day 18 |
WoO 88 |
Cantata on the Accession of Leopold II |
1790 |
Day 19 |
WoO 109 |
“Erhebt das Glas mit froher Hand” |
1790? |
Day 19 |
WoO 113 |
“Klage” |
1790? |
Day 20 |
WoO 65 |
Variations on “Venni amore” by Righini |
1790–91 |
Day 21 |
WoO 1 |
Music for a “Ritterballet” |
1790–91 |
Day 22 |
WoO 38 |
Piano Trio in E♭ Major |
1791? |
Day 23 |
WoO 89 |
“Prüfung des Küssens” |
1790–92 |
Day 23 |
WoO 90 |
“Mit Mädeln sich vertragen” |
1790–92 |
Day 23 |
WoO 92 |
“Primo Amore” for Soprano and Orchestra |
1790–92 |
Day 24 |
WoO 5 |
Violin Concerto Fragment |
c. 1790–92 |
Day 25 |
WoO 111 |
“Punschlied” |
1790–92? |
Day 25 |
WoO 110 |
“Elegie auf den Tod eines Pudels” |
1792? |
Day 25 |
WoO 112 |
“An Laura” |
1792? |
Day 25 |
WoO 114 |
“Selbstgespräch” |
1792? |
Day 25 |
WoO 115 |
“An Minna” |
1792? |
Day 26 |
WoO 66 |
Variations on “Es war einmal” from Dittersdorf’s “Das rote Käppchen” |
1792 |
Day 27 |
Opus 44 |
Variations on “Ja, ich muss mich” from Dittersdorf’s “Das rote Käppchen” for Piano Trio |
1792 |
Day 28 |
WoO 26 |
Duo for 2 Flutes |
1792 |
Day 29 |
WoO 27, No. 1 |
Duo for Clarinet and Bassoon in C Major |
1792? |
Day 29 |
WoO 27, No. 2 |
Duo for Clarinet and Bassoon in F Major |
1792? |
Day 29 |
WoO 27, No. 3 |
Duo for Clarinet and Bassoon in B♭ |
1792? |
Day 30 |
WoO 50 |
Sonatina for Piano in F Major |
1792? |
Day 31 |
WoO 64 |
Variations on a Swiss Air for Harp or Piano |
1792? |
Day 32 |
WoO 67 |
Variations on a Theme by Count Waldstein for Piano Four Hands |
1792? |
Day 33 |
WoO 40 |
Variations on “Se vuol ballare" for Violin and Piano |
1792–93 |
Day 34 |
Opus 103 |
Wind Octet |
1792–93? |
Day 35 |
WoO 25 |
Rondo in E♭ for Wind Octet |
1793? |
Day 36 |
WoO 81 |
Allemande in A for Piano |
1793 |
Day 37 |
WoO 116 |
“Que le temps me dure” |
1793 |
Day 37 |
WoO 119 |
“O care selve” |
1794 |
Day 38 |
WoO 6 |
Rondo for Piano and Orchestra |
1793–94 |
Day 39 |
WoO 117 |
“Der freie Mann” |
1792–94 |
Day 40 |
WoO 41 |
Rondo in G for Violin and Piano |
1793–94 |
Day 41 |
Opus 1, No. 1 |
Piano Trio No. 1 in E♭ Major |
1794–95 |
Day 42 |
Opus 1, No. 2 |
Piano Trio No. 2 in G Major |
1794–95 |
Day 43 |
Opus 1, No. 3 |
Piano Trio No. 3 in C Minor |
1794–95 |
Day 44 |
WoO 118 |
“Seufzer eines Ungeliebten” / “Gegenliebe” |
1794–95 |
Day 45 |
Opus 46 |
“Adelaide” |
1794–95 |
Day 46 |
Opus 2, No. 1 |
Piano Sonata No. 1 in F Minor |
1795 |
Day 47 |
Opus 2, No. 2 |
Piano Sonata No. 2 in A Major |
1795 |
Day 48 |
Opus 2, No. 3 |
Piano Sonata No. 3 in C Major |
1795 |
Day 49 |
Opus 87 |
Trio for Two Oboes and English Horn |
1795? |
Day 50 |
WoO 28 |
Variations on “Là ci darem la mano” for Two Oboes and English Horn |
1795? |
Day 51 |
Opus 81b |
Sextet in E♭ Major for 2 Horns, 2 Violins, Viola, and Cello |
1795 |
Day 52 |
Opus 3 |
String Trio in E♭ Major |
1795? |
Day 53 |
Opus 129 |
Rondo in G Major “Rage Over a Lost Penny” |
1795 |
Day 54 |
WoO 123 |
“Ich liebe Dich” |
c. 1795 |
Day 55 |
WoO 52 |
Presto in C Minor for Piano |
c. 1795 |
Day 56 |
WoO 91, No. 1 |
“O welch’ ein Leben!” |
c. 1795 |
Day 56 |
WoO 91, No. 2 |
“Soll ein Schuh nicht drücken” |
c. 1795 |
Day 57 |
Opus 4 |
String Quintet in E♭ Major |
1795 |
Day 58 |
WoO 68 |
Variations on “Menuett à la Viganò” from Haibel’s “Le nozze disturbate” |
1795 |
Day 59 |
WoO 70 |
Variations on “Nel cor più non mi sento” from Paisiello’s “La molinara” |
1795 |
Day 60 |
WoO 69 |
Variations on “Quant’ è più bello” from Paisiello’s “La molinara” |
1795 |
Day 61 |
WoO 72 |
Variations on “Une frèvre brûlante” from Grétry’s “Richard Coeur de Lion” |
1795 |
Day 62 |
WoO 159 |
Canon “Im Arm der Liebe ruht sich’s wohl” |
1795 |
Day 62 |
WoO 160, No. 1 |
Canon for 3 voices |
1795 |
Day 62 |
WoO 160, No. 2 |
Canon in 4 voices |
1795 |
Day 63 |
Hess 30 |
Prelude and Fugue in F Major |
1794–95 |
Day 63 |
Hess 31 |
Prelude and Fugue in C Major |
1794–95 |
Day 64 |
WoO 7 |
12 Minuets for Orchestra |
1795 |
Day 65 |
WoO 8 |
12 German Dances for Orchestra |
1795 |
Day 65 |
WoO 8 |
12 German Dances for Piano |
1795 |
Day 66 |
WoO 9 |
6 Minuets for Two Violins and Cello |
c. 1795 |
Day 67 |
WoO 10 |
6 Minuets for Piano |
1795 |
Day 67 |
WoO 10, No. 2 |
Minuet in G |
1795 |
Day 68 |
WoO 124 |
“La Partenza” |
c. 1795–96 |
Day 69 |
WoO 42 |
6 German Dances for Violin and Piano |
1796 |
Day 70 |
Opus 65 |
“Ah! Perfido” for soprano and orchestra |
1796 |
Day 71 |
WoO 43a |
Sonatina in C Minor for Mandolin and Harpsichord |
1796 |
Day 71 |
WoO 43b |
Adagio in E♭ for Mandolin and Harpsichord |
1796 |
Day 72 |
WoO 44a |
Sonatina in C Major for Mandolin and Harpsichord |
1796 |
Day 72 |
WoO 44b |
Andante with Variations in D Major for Mandolin and Harpsichord |
1796 |
Day 73 |
Opus 71 |
Sextet in E♭ for 2 clarinets, 2 bassoons, and 2 horns |
1796? |
Day 74 |
WoO 131 |
“Erlkönig” |
1796 |
Day 75 |
Opus 5, No. 1 |
Cello Sonata No. 1 in F Major |
1796 |
Day 76 |
Opus 5, No. 2 |
Cello Sonata No. 2 in G Minor |
1796 |
Day 77 |
WoO 45 |
Variations on “See the Conqu’ring Hero” from Handel’s “Judas Maccabaeus” |
1796 |
Day 78 |
Opus 66 |
Variations on “Ein Mädchen oder Weibchen” from Mozart’s “The Magic Flute” |
1796 |
Day 79 |
Opus 16 |
Quintet in E♭ for Piano and Woodwinds |
1796 |
Day 80 |
Opus 16 |
Quartet in E♭ for Piano and Strings |
1796? |
Day 81 |
WoO 121 |
“Abschiedsgesang an Wiens Bürger” |
1796 |
Day 82 |
WoO 13 |
12 German Dances |
c. 1792–97 |
Day 83 |
Opus 49, No. 1 |
Piano Sonata No. 19 in G Minor |
1797 |
Day 84 |
Opus 49, No. 2 |
Piano Sonata No. 20 in G Major |
1795–96 |
Day 85 |
WoO 32 |
Duet for Two Obbligato Eyeglasses |
1796–97 |
Day 86 |
WoO 53 |
Allegretto in C Minor |
1796–97 |
Day 87 |
Opus 6 |
Sonata in D for Piano Four Hands |
1796–97 |
Day 88 |
Opus 7 |
Piano Sonata No. 4 in E♭ Major |
1796–97 |
Day 89 |
Opus 8 |
Serenade in D for String Trio |
1796–97 |
Day 90 |
WoO 71 |
Variations on a Russian Dance from Wranitzky’s “Das Waldmädchen” |
1796–97 |
Day 91 |
WoO 122 |
“Kriegslied der Öesterreicher” |
1797 |
Day 92 |
WoO 221 |
Canon “Herr Graf, ich komme zu fragen” |
1797? |
Day 93 |
WoO 51 |
Two Movements for Orphica |
1797? |
Day 94 |
WoO 29 |
March in B♭ Major |
1797–98 |
Day 95 |
Opus 51, No. 1 |
Rondo in C for Piano |
c. 1796–97 |
Day 95 |
Opus 51, No. 2 |
Rondo in G for Piano |
c. 1798 |
Day 96 |
Opus 9, No. 1 |
String Trio No. 3 in G Major |
1797–98 |
Day 97 |
Opus 9, No. 2 |
String Trio No. 4 in D Major |
1797–98 |
Day 98 |
Opus 9, No. 3 |
String Trio No. 5 in C Minor |
1797–98 |
Day 99 |
Opus 10, No. 1 |
Piano Sonata No. 5 in C Minor |
1798 |
Day 100 |
Opus 10, No. 2 |
Piano Sonata No. 6 in F Major |
1798 |
Day 101 |
Opus 10, No. 3 |
Piano Sonata No. 7 in D Major |
1798 |
Day 102 |
Opus 11 |
Piano Trio No. 4 in B♭ Major |
1797–98 |
Day 103 |
Opus 12, No. 1 |
Violin Sonata No. 1 in D Major |
1797–98 |
Day 104 |
Opus 12, No. 2 |
Violin Sonata No. 2 in A Major |
1797–98 |
Day 105 |
Opus 12, No. 3 |
Violin Sonata No. 3 in E♭ Major |
1797–98 |
Day 106 |
Opus 13 |
Piano Sonata No. 8 “Pathétique” in C Minor |
1798? |
Day 107 |
Opus 14, No. 1 |
Piano Sonata No. 9 in E Major |
1798 |
Day 108 |
Opus 14, No. 2 |
Piano Sonata No. 10 in G Major |
1798 |
Day 109 |
Opus 50 |
Romance in F Major for Violin and Orchestra |
1798 |
Day 110 |
Opus 19 |
Piano Concerto No. 2 in B♭ Major |
1795–98 |
Day 111 |
WoO 125 |
“La Tiranna” |
1798 |
Day 112 |
WoO 126 |
“Opferlied” |
1798 |
Day 113 |
WoO 127 |
“Neue Liebe, Neues Leben” |
1798–99 |
Day 114 |
WoO 128 |
“Romance” / “Plaisir d’aimer” |
1798–99 |
Day 115 |
WoO 11 |
7 Ländler for Piano |
1799 |
Day 115 |
WoO 12 |
12 Minuets for Orchestra |
1799 |
Day 116 |
WoO 73 |
Variations on “La stessa, la stessissima” from Salieri’s “Falstaff” |
1799 |
Day 117 |
WoO 74 |
“Ich denke dein” with Variations for Four Hands |
1799 |
Day 118 |
WoO 75 |
Variations on “Kind, willst du ruhig schlafen” from Winter’s “Das unterbrochene Opferfest” |
1799 |
Day 119 |
WoO 76 |
Variations on “Tändeln und Scherzen” from Süssmayr’s “Soliman II” |
1799 |
Day 120 |
WoO 33 |
5 Pieces for a Flute Clock |
1799 |
Day 121 |
Opus 20 |
Septet in E♭ Major |
1799 |
Day 122 |
Opus 15 |
Piano Concerto No. 1 in C Major |
1795–1800 |
Day 123 |
Opus 21 |
Symphony No. 1 in C Major |
1800 |
Day 124 |
Opus 17 |
Sonata in F Major for Horn and Piano |
1800 |
Day 125 |
Opus 18, No. 1 |
String Quartet No. 1 in F Major |
1799–1800 |
Day 126 |
Opus 18, No. 2 |
String Quartet No. 2 in G Major |
1799–1800 |
Day 127 |
Opus 18, No. 3 |
String Quartet No. 3 in D Major |
1799–1800 |
Day 128 |
Opus 18, No. 4 |
String Quartet No. 4 in C Minor |
1799–1800 |
Day 129 |
Opus 18, No. 5 |
String Quartet No. 5 in A Major |
1799–1800 |
Day 130 |
Opus 18, No. 6 |
String Quartet No. 6 in B♭ Major |
1800 |
Day 131 |
WoO 120 |
“Man Strebt, die Flamme zu Verhehlen” |
1800 |
Day 132 |
Opus 22 |
Piano Sonata No. 11 in B♭ Major |
1800 |
Day 133 |
WoO 77 |
Variations for Piano in G Major |
1800 |
Day 134 |
Opus 23 |
Violin Sonata No. 4 in A Minor |
1800 |
Day 135 |
Opus 24 |
Violin Sonata No. 5 in F Major “Spring” |
1800–01 |
Day 136 |
Opus 43 |
The Creatures of Prometheus |
1801 |
Day 137 |
Opus 25 |
Serenade for Flute, Violin, and Viola in D Major |
1801 |
Day 138 |
Opus 26 |
Piano Sonata No. 12 “Funeral March” in A♭ Major |
1801 |
Day 139 |
Opus 27, No. 1 |
Piano Sonata No. 13 in E♭ Major |
1801 |
Day 140 |
Opus 27, No. 2 |
Piano Sonata No. 14 “Moonlight” in C♯ Minor |
1801 |
Day 141 |
Opus 28 |
Piano Sonata No. 15 “Pastoral” in D Major |
1801 |
Day 142 |
WoO 100 |
“Lob auf den Dicken” for Three Voices & Chorus |
1801 |
Day 143 |
Opus 29 |
String Quintet in C Major |
1801 |
Day 144 |
WoO 46 |
Variations on Mozart’s “Bei Männern” for Cello and Piano |
1801 |
Day 145 |
WoO 14 |
12 Contradances for Orchestra |
c. 1791–1801 |
Day 146 |
Opus 40 |
Romance No. 1 in G Major for Violin and Orchestra |
c. 1801 |
Day 147 |
WoO 15 |
6 Ländler for Two Violins and Bass |
1802 |
Day 148 |
WoO 99 |
Italian Part-Songs |
c. 1801–1802 |
Day 149 |
WoO 92a |
“No, non turbarti” for Soprano and Strings |
1802 |
Day 150 |
Opus 48 |
Gellert Lieder |
1801–02 |
Day 151 |
Opus 30, No. 1 |
Violin Sonata No. 6 in A Major |
1802 |
Day 152 |
Opus 30, No. 2 |
Violin Sonata No. 7 in C Minor |
1802 |
Day 153 |
Opus 30, No. 3 |
Violin Sonata No. 8 in G Major |
1802 |
Day 154 |
Hess 34 |
String Quartet in F Major |
1801–2 |
Day 155 |
Opus 31, No. 1 |
Piano Sonata No. 16 in G Major |
1802 |
Day 156 |
Opus 31, No. 2 |
Piano Sonata No. 17 “Tempest” in D Minor |
1802 |
Day 157 |
Opus 31, No. 3 |
Piano Sonata No. 18 “The Hunt” in E♭ Major |
1802 |
Day 158 |
Opus 33 |
Bagatelles for Piano |
1801–2 |
Day 159 |
WoO 54 |
Bagatelle “Lustig-Traurig” |
1802? |
Day 160 |
Opus 34 |
Variations on an Original Theme in F Major |
1802 |
Day 161 |
Opus 35 |
Variations and Fugue on a Theme from “Prometheus” |
1802 |
Day 162 |
WoO 101 |
“Graf, Graf, liebster Graf” for Unaccompanied Voices |
1802 |
Day 163 |
Opus 36 |
Symphony No. 2 in D Major |
1801–02 |
Day 164 |
Opus 116 |
“Tremate, empi, tremate” for Soprano, Tenor, Bass and Orchestra |
1802 |
Day 165 |
WoO 93 |
“Nei giorni tuoi felici” for Soprano, Tenor, and Orchestra |
1802 |
Day 166 |
Opus 37 |
Piano Concerto No. 3 in C Minor |
1800–03 |
Day 167 |
Opus 38 |
Trio for Clarinet, Cello, and Piano in E♭ Major |
1802–03 |
Day 168 |
Opus 41 |
Serenade for Flute and Piano in D Major |
1803 |
Day 169 |
Opus 42 |
Notturno for Viola and Piano in D Major |
1803 |
Day 170 |
Opus 47 |
Violin Sonata No. 9 “Kreutzer” in A Major |
1803 |
Day 171 |
WoO 129 |
“Der Wachtelschlag” |
1803 |
Day 172 |
WoO 78 |
Variations on “God Save the King” |
1803 |
Day 173 |
WoO 79 |
Variations on “Rule Britannia” |
1803 |
Day 174 |
Opus 45 |
3 Marches for Piano Four-Hands |
1803 |
Day 175 |
Opus 88 |
“Lebensglück” |
1803 |
Day 175 |
Opus 88 |
“Vita Felice” |
1803 |
Day 176 |
Opus 52, No. 1 |
“Urians Reise um die Welt” |
before 1793 |
Day 176 |
Opus 52, No. 2 |
“Feuerfarb’” |
c. 1792, rev. 1803 |
Day 176 |
Opus 52, No. 3 |
“Das Liedchen von der Ruhe” |
c. 1793, rev. 1795 |
Day 176 |
Opus 52, No. 4 |
“Maigesang” |
c. 1795 |
Day 176 |
Opus 52, No. 5 |
“Mollys Abschied” |
c. 1795 |
Day 176 |
Opus 52, No. 6 |
“Die Liebe” |
c. 1790 |
Day 176 |
Opus 52, No. 7 |
“Marmotte” |
c. 1790–92 |
Day 176 |
Opus 52, No. 8 |
“Das Blümchen Wunderhold” |
c. 1795 |
Day 177 |
WoO 57 |
Andante Favori in F Major |
1803 |
Day 178 |
WoO 56 |
Allegretto in C Major |
1803 |
Day 179 |
Hess 115 |
Vestas Feuer, Scene 1 |
1803 |
Day 180 |
Opus 85 |
Christ on the Mount of Olives |
1803–04 |
Day 181 |
Opus 53 |
Piano Sonata No. 21 “Waldstein” in C Major |
1803–04 |
Day 182 |
Opus 54 |
Piano Sonata No. 22 in F Major |
1804 |
Day 183 |
Opus 55 |
Symphony No. 3 “Eroica” in E♭ Major |
1803–04 |
Day 184 |
Opus 56 |
Triple Concerto in C Major |
1804 |
Day 185 |
Opus 32 |
“An die Hoffnung” |
1805 |
Day 186 |
WoO 136 |
“Andenken” |
1805 |
Day 187 |
Opus 36 |
Symphony No. 2 Transcribed for Piano Trio |
1805 |
Day 188 |
Opus 72 |
Leonore 1805 |
1804–05 |
Day 189 |
Opus 72a |
Leonore Overture No. 2 |
1805 |
Day 190 |
Opus 57 |
Piano Sonata No. 23 “Appassionata” in F Minor |
1804–6 |
Day 191 |
Opus 72 |
Leonore 1806 |
rev. 1806 |
Day 192 |
Opus 72b |
Leonore Overture No. 3 |
1806 |
Day 193 |
Opus 58 |
Piano Concerto No. 4 in G Major |
1806 |
Day 194 |
WoO 16 |
12 Écossaises for Piano |
c. 1806 |
Day 194 |
WoO 83 |
6 Écossaises for Piano |
c. 1806 |
Day 195 |
Opus 59, No. 1 |
String Quartet No. 7 “Razumovsky” in F Major |
1806 |
Day 196 |
Opus 59, No. 2 |
String Quartet No. 8 “Razumovsky” in E Minor |
1806 |
Day 197 |
Opus 59, No. 3 |
String Quartet No. 9 “Razumovsky” in C Major |
1806 |
Day 198 |
WoO 132 |
“Als die Geliebte sich Trennen Wollte” |
1806 |
Day 199 |
Opus 60 |
Symphony No. 4 in B♭ Major |
1806 |
Day 200 |
WoO 80 |
32 Variations on an Original Theme |
1806 |
Day 201 |
Opus 61 |
Violin Concerto in D Major |
1806 |
Day 202 |
Opus 62 |
Coriolan Overture |
1807 |
Day 203 |
Opus 61a |
Piano Concerto in D Major |
1807 |
Day 204 |
Opus 63 |
Piano Trio Arrangement of Opus 4 |
1806 |
Day 204 |
Opus 64 |
Cello Sonata Arrangement of Opus 3 |
1807 |
Day 205 |
Opus 86 |
Mass in C Major |
1807 |
Day 206 |
WoO 133 |
“In Questa Tomba Oscura” |
1807 |
Day 207 |
Opus 138 |
Leonore Overture No. 1 |
1807 |
Day 208 |
Opus 67 |
Symphony No. 5 in C Minor |
1807–08 |
Day 209 |
Opus 69 |
Cello Sonata No. 3 in A Major |
1807–08 |
Day 210 |
WoO 134 |
“Sehnsucht” |
1807–08 |
Day 211 |
Opus 68 |
Symphony No. 6 “Pastoral” in F Major |
1808 |
Day 212 |
Opus 70, No. 1 |
Piano Trio No. 5 “Ghost” in D Major |
1808 |
Day 213 |
Opus 70, No. 2 |
Piano Trio No. 6 in E♭ Major |
1808 |
Day 214 |
Opus 80 |
Choral Fantasy in C Major |
1808 |
Day 215 |
Opus 73 |
Piano Concerto No. 5 “Emperor” in E♭ Major |
1809 |
Day 216 |
Opus 81a, mm 1 |
Das Lebewohl for Piano |
1809 |
Day 217 |
WoO 58 |
Cadenzas for Mozart’s Piano Concerto No. 20 in D Minor, K. 466 |
c. 1809 |
Day 218 |
Opus 74 |
String Quartet No. 10 “Harp” in E♭ Major |
1809 |
Day 219 |
Opus 75, No. 1 |
“Kennst du das Land” / “Mignon” |
1809 |
Day 220 |
Opus 75, No. 2 |
“Neue Liebe, neues Leben” |
1809 |
Day 221 |
Opus 75, No. 3 |
“Aus Goethes Faust” / “Flohlied” |
1809 |
Day 222 |
Opus 75, No. 4 |
“Gretels Warnung” |
1809 |
Day 223 |
Opus 75, No. 5 |
“An den fernen Geliebten” |
1809 |
Day 224 |
Opus 75, No. 6 |
“Der Zufriedene” |
1809 |
Day 225 |
Opus 76 |
6 Variations for Piano in D Major |
1809 |
Day 226 |
Opus 77 |
Fantasy for Piano in G Minor |
1809 |
Day 227 |
WoO 137 |
“Lied aus der Ferne” |
1809 |
Day 228 |
WoO 138 |
“Der Jüngling in der Fremde” |
1809 |
Day 229 |
WoO 139 |
“Der Liebende” |
1809 |
Day 230 |
Opus 78 |
Piano Sonata No. 24 “à Thérèse” in F♯ Major |
1809 |
Day 231 |
Opus 79 |
Piano Sonata No. 25 in G Major |
1809 |
Day 232 |
Opus 81a |
Piano Sonata No. 26 “Les Adieux” in E♭ Major |
1809 |
Day 233 |
Opus 82, No. 1 |
“Hoffnung” / “Dimmi, ben mio, che m’ami” |
1809 |
Day 234 |
Opus 82, No. 2 |
“Liebes-Klage” / “T’intendo sì, mio cor” |
1809 |
Day 235 |
Opus 82, No. 3 |
“L’amante impatiente” / “Stille Frage” – Arietta buffa |
1809 |
Day 235 |
Opus 82, No. 4 |
“L’amante impatiente” / “Liebes-Ungeduld” – Arietta assai seriosa |
1809 |
Day 236 |
Opus 82, No. 5 |
“Lebens-Genuss” / “Odi l’aura che dolce sospira” |
1809 |
Day 237 |
WoO 155, No. 14 |
Setting of “The Dream,” CFS I/6 |
1809–10 |
Day 237 |
WoO 155, No. 17 |
Setting of “The Dairy House,” CFS I/8 |
1809–10 |
Day 237 |
WoO 155, No. 8 |
Setting of “Farewell, thou Noisy Town,” CFS I/11 |
1809–10 |
Day 237 |
WoO 155, No. 22 |
Setting of “Constancy,” CFS I/16 |
1809–10 |
Day 237 |
WoO 155, No. 19 |
Setting of “The Vale of Clwyd,” CFS I/18 |
1809–10 |
Day 237 |
WoO 155, No. 21 |
Setting of “Cupid’s Kindness” CFS I/20 |
1809–10 |
Day 237 |
WoO 155, No. 9 |
Setting of “To the Aeolian Harp” CFS I/22 |
1809–10 |
Day 237 |
WoO 155, No. 1 |
Setting of “Sion, the son of Evan” CFS I/23 |
1809–10 |
Day 238 |
WoO 152, No. 17 |
Setting of “In Vain to this Desart” CFS I/27 |
1809–10 |
Day 238 |
WoO 152, No. 5 |
Setting of “On the Massacre of Glencoe” CFS I/28 |
1809–10 |
Day 238 |
WoO 152, No. 14 |
Setting of “Dermot and Shelah” CFS I/29 |
1809–10 |
Day 238 |
WoO 152, No. 9 |
Setting of “The Soldier’s Dream” CFS I/31 |
1809–10 |
Day 238 |
WoO 152, No. 18 |
Setting of “They bid me Slight my Dermot Dear” CFS I/32 |
1809–10 |
Day 238 |
WoO 152, No. 3 |
Setting of “Once more I hail thee” CFS I/35 |
1809–10 |
Day 238 |
WoO 152, No. 12 |
Setting of “English Bulls; or, The Irishman in London” CFS I/36 |
1809–10 |
Day 238 |
WoO 152, No. 4 |
Setting of “The Morning Air plays on my Face” CFS I/38 |
1809–10 |
Day 238 |
WoO 152, No. 2 |
Setting of “Sweet Power of Song” CFS I/39 |
1809–10 |
Day 238 |
WoO 153, No. 4 |
Setting of “Since Greybeards inform us that Youth will decay” CFS I/40 |
1809–10 |
Day 238 |
WoO 153, No. 14 |
Setting of “Paddy O’Rafferty, Merry and Vigorous” CFS I/42 |
1809–10 |
Day 239 |
WoO 59 |
Bagatelle “Für Elise” in A Minor |
1810? |
Day 240 |
Opus 84 |
Egmont Overture and Incidental Music |
1810 |
Day 241 |
WoO 152, No. 23 |
Setting of “The Wand'ring Gypsy” CFS II/3 |
1810 |
Day 241 |
WoO 152, No. 20 |
Setting of “Farewell Bliss and Farewell Nancy” CFS II/6 |
1810 |
Day 241 |
WoO 152, No. 8 |
Setting of “Come draw we Round a Cheerful Ring” CFS II/7 |
1810 |
Day 241 |
WoO 152, No. 1 |
Setting of “The Return to Ulster” CFS II/8 |
1810 |
Day 241 |
WoO 152, No. 15 |
Setting of “Let Brain-spinning Swains” CFS II/10 |
1810 |
Day 242 |
WoO 18 |
March in F Major for Military Band |
1809–10 |
Day 242 |
WoO 19 |
March in F Major for Military Band |
1810 |
Day 242 |
WoO 20 |
March in C Major for Military Band |
c. 1810? |
Day 242 |
WoO 21 |
Polonaise in D Major for Military Band |
1810 |
Day 242 |
WoO 22 |
Ecossaise in D Major for Military Band |
1810 |
Day 242 |
WoO 23 |
Ecossaise in G Major for Military Band |
c. 1810 |
Day 243 |
Opus 95 |
String Quartet No. 11 “Serioso” in F Minor |
1810 |
Day 244 |
Opus 83, No. 1 |
“Wonne der Wehmut” |
1810 |
Day 245 |
Opus 83, No. 2 |
“Sehnsucht” |
1810 |
Day 246 |
Opus 83, No. 3 |
“Mit einem gemalten Band” |
1810 |
Day 247 |
Opus 97 |
Piano Trio No. 7 “Archduke” in B♭ Major |
1811 |
Day 248 |
Opus 117 |
King Stephen |
1811 |
Day 249 |
Opus 113 |
The Ruins of Athens |
1811 |
Day 250 |
WoO 140, v. 1 |
“An die Geliebte” |
1811 |
Day 250 |
WoO 140, v. 2 |
“An die Geliebte” |
1811 |
Day 251 |
WoO 161 |
Canon “Ewig dein” |
1811 |
Day 251 |
WoO 162 |
Canon “Ta ta ta” / “An Mälzel” |
attr. 1812 |
Day 252 |
WoO 152, No. 11 |
Setting of “Thou Emblem of Faith” CFS III/2 |
1811–12 |
Day 252 |
WoO 152, No. 13 |
Setting of “Musing on the Roaring Ocean” CFS III/3 |
1811–12 |
Day 252 |
WoO 152, No. 25 |
Setting of “Oh Harp of Erin” CFS III/4 |
1811–12 |
Day 252 |
WoO 152, No. 21 |
Setting of “Morning a Cruel Turmoiler is” CFS III/6 |
1811–12 |
Day 252 |
WoO 152, No. 22 |
Setting of “From Garyone, my Happy Home” CFS III/7 |
1811–12 |
Day 252 |
WoO 152, No. 19 |
Setting of “Wife, Children and Friends” CFS III/9 |
1811–12 |
Day 253 |
Opus 92 |
Symphony No. 7 in A Major |
1812 |
Day 254 |
WoO 39 |
Allegretto for Piano Trio in B♭ Major |
1812 |
Day 255 |
Opus 93 |
Symphony No. 8 in F Major |
1812 |
Day 256 |
WoO 30 |
3 Equali for Four Trombones |
1812 |
Day 257 |
Opus 96 |
Violin Sonata No. 10 in G Major |
1812 |
Day 258 |
Opus 108, No. 20 |
Setting of “Faithfu’ Johnie” CFS IV/4 |
1812–13 |
Day 258 |
WoO 154, No. 7 |
Setting of “From Garyone, my Happy Home” CFS IV/8 |
1812–13 |
Day 258 |
WoO 154, No. 9 |
Setting of “Oh! would I were but that Sweet Linnet” CFS IV/9 |
1812–13 |
Day 259 |
WoO 153, No. 20 |
Setting of “Thy Ship must sail, my Henry Dear” CFS V/2 |
1812–13 |
Day 259 |
WoO 153, No. 16 |
Setting of “O might I but my Patrick love” CFS V/3 |
1812–13 |
Day 259 |
WoO 153, No. 9 |
Setting of “The Kiss, Dear Maid, thy Lip has left” CFS V/5 |
1812–13 |
Day 259 |
WoO 154, No. 12 |
Setting of “He promis’d me at Parting” CFS V/7 |
1812–13 |
Day 259 |
WoO 154, No. 11 |
Setting of “The Soldier in a Foreign Land” CFS V/8 |
1812–13 |
Day 259 |
WoO 154, No. 1 |
Setting of “The Elfin Fairies” CFS V/10 |
1812–13 |
Day 259 |
WoO 154, No. 3 |
Setting of “The Farewell Song” CFS V/11 |
1812–13 |
Day 259 |
WoO 154, No. 4 |
Setting of “The Pulse of an Irishman” CFS V/12 |
1812–13 |
Day 259 |
WoO 154, No. 5 |
Setting of “Oh! who, my Dear Dermot” CFS V/14 |
1812–13 |
Day 259 |
WoO 153, No. 7 |
Setting of “O soothe me, my Lyre” CFS V/15 |
1812–13 |
Day 259 |
WoO 155, No. 15 |
Setting of “When Mortals all to Rest retire” CFS V/21 |
1813 |
Day 260 |
WoO 2a |
Triumph March for *Tarpeja* |
1813 |
Day 261 |
WoO 141 |
“Der Gesang der Nachtigall” |
1813 |
Day 262 |
Opus 91 |
Wellington’s Victory |
1813 |
Day 263 |
WoO 142 |
“Der Bardengeist” |
1813 |
Day 264 |
WoO 163 |
Canon “Kurz ist der Schmerz” |
1813 |
Day 265 |
WoO 94 |
Germania Chorus from “Die gute Nachricht” |
1814 |
Day 266 |
Opus 72 |
Fidelio |
1814 |
Day 267 |
Opus 72 |
Fidelio Overture |
1814 |
Day 268 |
WoO 102 |
“Abschiedsgesang” for Two Tenors and Bass |
1814 |
Day 269 |
WoO 103 |
Cantata “Un lieto brindisi” for four voices and piano |
1814 |
Day 270 |
WoO 140, v. 3 |
“An die Geliebte” |
1814 |
Day 271 |
Opus 118 |
Elegischer Gesang for Voices and String Quartet |
1814 |
Day 272 |
Opus 90 |
Piano Sonata No. 27 in E Minor |
1814 |
Day 273 |
WoO 95 |
Chorus for the Allied Princes |
1814 |
Day 274 |
WoO 164 |
Canon “Freundschaft ist die Quelle” |
1814 |
Day 274 |
WoO 199 |
Canon “Ich bin der Herr von zu, Du bist der Herr von von” |
1814 |
Day 274 |
WoO 199 |
Musical joke “Ich bin der Herr von zu, Du bist der Herr von von” |
1814 |
Day 275 |
Opus 136 |
Der glorreiche Augenblick |
1814 |
Day 276 |
WoO 143 |
“Des Kriegers Abscheid” |
1814 |
Day 277 |
Opus 89 |
Polonaise in C Major for Piano |
1814 |
Day 278 |
WoO 144 |
“Merkenstein” |
1814 |
Day 278 |
Opus 100 |
“Merkenstein” for duet |
1814 |
Day 279 |
WoO 135 |
“Die laute Klage” |
c. 1815? |
Day 280 |
WoO 96 |
Leonore Prohaska Incidental Music |
1815 |
Day 281 |
WoO 165 |
Canon “Glück zum neuen Jahr” |
1815 |
Day 281 |
WoO 166 |
Canon “Kurz ist der Schmerz” |
1815 |
Day 282 |
Opus 115 |
Namensfeier Overture in C Major |
1814–15 |
Day 283 |
Opus 94 |
“An die Hoffnung” |
1813–15 |
Day 284 |
WoO 158b, No. 6 |
Setting of “O Mary ye’s be Clad in Silk,” CFS VI/7 |
1814–15 |
Day 284 |
WoO 155, No. 25 |
Setting of “The Parting Kiss,” CFS VI/8 |
1814–15 |
Day 284 |
Opus 108, No. 24 |
Setting of “Again, my Lyre, yet once again,” CFS VI/10 |
1814–15 |
Day 284 |
Opus 108, No. 6 |
Setting of “Dim, dim is my eye.” CFS VI/11 |
1814–15 |
Day 284 |
Opus 108, No. 7 |
Setting of “Bonny Laddie, Highland Laddie,” CFS VI/12 |
1814–15 |
Day 284 |
Opus 108, No. 5 |
Setting of “The Sweetest Lad was Jamie,” CFS VI/13 |
1814–15 |
Day 284 |
Opus 108, No. 19 |
Setting of “O swiftly glides the Bonny Boat,” CFS VI/15 |
1814–15 |
Day 284 |
Opus 108, No. 11 |
Setting of “Oh! thou art the Lad of my Heart,” CFS VII/3 |
1815 |
Day 285 |
WoO 97 |
Es ist Vollbracht Chorus from “Die Ehrenpforten” |
1815 |
Day 286 |
WoO 145 |
“Das Geheimnis” |
1815 |
Day 287 |
Opus 102, No. 1 |
Cello Sonata No. 4 in C Major |
1815 |
Day 288 |
Opus 102, No. 2 |
Cello Sonata No. 5 in D Major |
1815 |
Day 289 |
WoO 167 |
Canon “Brauchle, Linke” |
c. 1815 |
Day 289 |
Hess 297 |
Adagio for in A♭ Major for 3 Horns |
1815 |
Day 290 |
Opus 112 |
Calm Sea and Prosperous Voyage |
1814–15 |
Day 291 |
WoO 169 |
Canon “Ich küsse sie” |
1816 |
Day 291 |
WoO 168 |
Canon “Das Schweigen” and “Das Reden” |
1816 |
Day 291 |
WoO 170 |
Canon “Ars longa, vita brevis” |
1816 |
Day 292 |
WoO 146 |
“Sehnsucht” |
1816 |
Day 293 |
Opus 108, No. 16 |
Setting of “Could this Ill World have been contriv’d” CFS VIII/2 |
1816 |
Day 293 |
Opus 108, No. 8 |
Setting of “The Lovely Lass of Inverness” CFS VIII/4 |
1816 |
Day 293 |
WoO 158a, No. 16 |
Setting of “Schöne Minka, ich muss scheiden” CFS VIII/6 |
1816 |
Day 293 |
WoO 158a, No. 14 |
Setting of “Akh, rečen’ki, rečen’ki” CFS IX/2 |
1816 |
Day 293 |
WoO 158a, No. 19 |
Setting of “Una paloma blanca” CFS IX/5 |
1816 |
Day 293 |
WoO 158a, No. 21 |
Setting of “Tiranilla Española” CFS IX/7 |
1816 |
Day 293 |
WoO 158a, No. 11 |
Setting of “Yo no queiero embarcarme” CVS IX/9 |
1816 |
Day 293 |
WoO 158a, No. 12 |
Setting of “Seus lindos alhos” CFS IX/10 |
1816 |
Day 293 |
WoO 158a, No. 2 |
Setting of “Horch auf, mein Liebchen” CFS IX/11 |
1816 |
Day 294 |
Opus 98 |
“An die ferne Geliebte” |
1816 |
Day 295 |
Opus 99 |
“Der Mann von Wort” |
1816 |
Day 296 |
Opus 121a |
Variations on “Ich bin der Schneider Kakadu” |
c. 1816 |
Day 297 |
WoO 24 |
March in D Major for Military Band |
1816 |
Day 298 |
Opus 108, No. 25 |
Setting of “Sally in our Alley” CFS X/3 |
1816–17 |
Day 298 |
Opus 108, No. 22 |
Setting of “The Highland Watch” CFS X/7 |
1816–17 |
Day 298 |
WoO 158a, No 17 |
Setting of “Vaggvisa” CFS XI/1 |
1816–17 |
Day 298 |
WoO 158a, No. 7 |
Setting of “Wer solche Buema afipackt” CFS XI/2 |
1816–17 |
Day 299 |
Opus 101 |
Piano Sonata No. 28 in A Major |
1816 |
Day 300 |
WoO 147 |
“Ruf vom Berge” |
1816 |
Day 301 |
WoO 148 |
“So oder so” |
1817 |
Day 302 |
Opus 108, No. 3 |
Setting of “Oh Sweet were the Hours” CFS XII/2 |
1817 |
Day 302 |
Opus 108, No. 17 |
Setting of “O Mary, at thy Window be” CFS XII/3 |
1817 |
Day 302 |
Opus 108, No. 13 |
Setting of “Come fill, fill, my Good Fellow” CFS XII/5 |
1817 |
Day 302 |
Opus 108, No. 1 |
Setting of “Music, Love and Wine” CFS XII/6 |
1817 |
Day 302 |
Opus 108, No. 9 |
Setting of “Behold, my Love, how Green the Groves” CFS XII/9 |
1817 |
Day 302 |
WoO 157, No. 10 |
Setting of “Sir Johnie Cope” CFS XII/10 |
1817 |
Day 302 |
WoO 157, No. 4 |
Setting of “O sanctissima” CFS XII/11 |
1817 |
Day 303 |
WoO 104 |
Song of the Monks |
1817 |
Day 303 |
WoO 171 |
Canon “Glück fehl’ dir” |
1817 |
Day 304 |
Opus 104 |
String Quintet in C Minor Arrangement of Opus 1, No. 3 |
1817 |
Day 305 |
Hess 40 |
Prelude and Fragment of Fugue in D Minor for String Quintet |
1817 |
Day 305 |
Opus 137 |
Fugue in D Major for String Quintet |
1817 |
Day 306 |
WoO 149 |
“Resignation” |
1817 |
Day 307 |
Opus 108, No. 23 |
Setting of “The Shepherd’s Song” CFS XIII/1 |
1818 |
Day 307 |
Opus 108, No. 2 |
Setting of “Sunset” CFS XIII/2 |
1818 |
Day 307 |
Opus 108, No. 18 |
Setting of “Enchantress, Farewell” CFS XIII/3 |
1818 |
Day 308 |
WoO 200 |
“O Hoffnung” theme for Archduke Rudolph |
1818 |
Day 309 |
WoO 201 |
Canon “Ich bin bereit” |
1818 |
Day 309 |
WoO 172 |
Canon “Ich bitt’ dich” |
c. 1818 |
Day 310 |
WoO 60 |
Bagatelle in B♭ Major |
1818 |
Day 311 |
Opus 106 |
Piano Sonata No. 29 “Hammerklavier” in B♭ Major |
1818 |
Day 312 |
WoO 156, No. 9 |
Setting of “Lochnagar” CFS XIV/1 |
1818 |
Day 312 |
WoO 156, No. 8 |
Setting of “Womankind” CFS XIV/3 |
1818 |
Day 312 |
WoO 156, No. 11 |
Setting of “Auld Lang Syne” CFS XIV/4 |
1818 |
Day 313 |
Opus 105 |
6 National Airs with Variations |
1818–19 |
Day 314 |
Opus 107 |
10 National Airs with Variations |
1818–19 |
Day 315 |
WoO 105 |
Wedding Song |
1819 |
Day 316 |
WoO 17 |
11 Mödling Dances |
1819? |
Day 316 |
WoO 173 |
Canon “Hol’ euch der Teufel” |
1819 |
Day 316 |
WoO 174 |
Canon “Glaube und Hoffe” |
1819 |
Day 316 |
WoO 176 |
Canon “Glück zum neuen Jahr” |
1819 |
Day 316 |
WoO 179 |
Canon “Seiner kaiserlichen Hoheit” |
1819 |
Day 317 |
WoO 175 |
Canon “Sankt Petrus” |
1820 |
Day 317 |
WoO 177 |
Canon “Bester Magistrat” |
c. 1820 |
Day 317 |
WoO 178 |
Canon “Signor Abate!” |
c. 1820? |
Day 317 |
WoO 180 |
Canon “Hoffmann, sei ja ein Hofmann” |
1820 |
Day 318 |
WoO 150 |
“Abendlied unterm gestirnten Himmel” |
1820 |
Day 319 |
WoO 130 |
“Gedenke mein!” |
1820 |
Day 320 |
Opus 109 |
Piano Sonata No. 30 in E Major |
1820 |
Day 321 |
WoO 61 |
Allegretto in B Minor |
1821 |
Day 322 |
WoO 182 |
Canon “O Tobias” |
1821 |
Day 323 |
Opus 110 |
Piano Sonata No. 31 in A♭ Major |
1821–2 |
Day 324 |
Opus 111 |
Piano Sonata No. 32 in C Minor |
1822 |
Day 325 |
WoO 34 |
Duet for Two Violins |
1822 |
Day 326 |
WoO 181, No. 1 |
Canon “Gedenket heute an Baden” |
1822 |
Day 326 |
WoO 181, No. 2 |
Canon “Gehabt euch wohl” |
1822 |
Day 326 |
WoO 181, No. 3 |
Canon “Tugend is kein leerer Name” |
1822 |
Day 327 |
Opus 123 |
Missa Solemnis |
1822 |
Day 328 |
Hess 118 |
The Consecration of the House |
1822 |
Day 328 |
Opus 124 |
The Consecration of the House: Overture |
1822 |
Day 328 |
WoO 98 |
The Consecration of the House: “Wo sich die Pulse” |
1822 |
Day 328 |
Opus 114 |
The Consecration of the House: March and Chorus |
1822 |
Day 329 |
WoO 3 |
Gratulations-Menuett |
1822 |
Day 330 |
Opus 119 |
11 Bagatelles for Piano |
1820–22 |
Day 331 |
Opus 128 |
“Der Kuss” |
1822 |
Day 332 |
WoO 151 |
Canon “Der edle Mensch” |
1823 |
Day 332 |
WoO 185 |
Canon “Edel sei der Mensch” |
1823 |
Day 333 |
WoO 106 |
Birthday Cantata for Prince Lobkowitz |
1823 |
Day 334 |
Opus 120 |
Diabelli Variations |
1823 |
Day 335 |
WoO 183 |
Canon “Bester Herr Graf” |
1823 |
Day 335 |
WoO 184 |
Canon “Falstafferel, lass’ dich sehen” |
1823 |
Day 335 |
WoO 202 |
Canon “Das Schöne zum Guten” |
1823 |
Day 336 |
Opus 125 |
Symphony No. 9 in D Minor |
1824 |
Day 337 |
Opus 126 |
6 Bagatelles |
1824 |
Day 338 |
WoO 186 |
Canon “Te solo adoro” |
1824 |
Day 338 |
WoO 187 |
Canon “Schwenke dich” |
1824 |
Day 339 |
WoO 84 |
Waltz in E♭ Major for Piano |
1824 |
Day 340 |
Opus 121b, v.1 |
“Opferlied” for Voices and Chamber Orchestra |
1822 |
Day 340 |
Opus 121b, v.2 |
“Opferlied” for Voices and Chamber Orchestra |
1824 |
Day 341 |
Opus 122 |
“Bundeslied” for Voices and Chamber Orchestra |
1823–24 |
Day 342 |
WoO 188 |
Canon “Gott ist eine feste Burg” |
1825 |
Day 343 |
Opus 127 |
String Quartet No. 12 in E♭ Major |
1824–25 |
Day 344 |
WoO 203 |
Canon “Das Schöne zu dem Guten” |
1825 |
Day 345 |
WoO 189 |
Canon “Doktor sperrt das Tor” |
1825 |
Day 345 |
WoO 190 |
Canon “Ich war hier, Doktor” |
1825 |
Day 346 |
Opus 132 |
String Quartet No. 15 in A Minor |
1825 |
Day 347 |
WoO 35 |
Canon in A Major for Two Instruments |
1825 |
Day 348 |
WoO 191 |
Canon “Kühl, nicht lau” |
1825 |
Day 349 |
WoO 192 |
Canon “Ars longa, vita brevis” |
1825 |
Day 349 |
WoO 193 |
Canon “Ars longa, vita brevis” |
c. 1825? |
Day 350 |
WoO 61a |
Allegretto quasi andante in G Minor |
1825 |
Day 351 |
WoO 194 |
Canon “Si non per portas” |
1825 |
Day 352 |
WoO 204 |
Canon “Holz geigt die Quartette so” |
1825 |
Day 353 |
WoO 85 |
Waltz in D Major for Piano |
1825 |
Day 354 |
WoO 86 |
Écossaise in E♭ Major for Piano |
1825 |
Day 355 |
Opus 130, v. 1 |
String Quartet No. 13 in B♭ Major |
1825 |
Day 356 |
WoO 195 |
Canon “Freu’ dich des Lebens” |
1825 |
Day 357 |
WoO 196 |
Canon “Es muss sein” |
1826 |
Day 358 |
Opus 131 |
String Quartet No. 14 in C♯ Minor |
1826 |
Day 359 |
Opus 134 |
Grosse Fuge in B♭ Major for Piano Four-Hands |
1826 |
Day 360 |
WoO 197 |
Canon “Da ist das Werk” |
1826 |
Day 361 |
Opus 135 |
String Quartet No. 16 in F Major |
1826 |
Day 362 |
WoO 227 |
Canon “Esel aller Esel” |
1826 |
Day 363 |
Opus 130, v. 2 |
String Quartet No. 13 in B♭ Major |
1826 |
Day 364 |
Opus 133 |
Grosse Fuge in B♭ Major |
1825 |
Day 365 |
WoO 198 |
Canon “Wir irren allesamt” |
1826 |
Day 366 |
WoO 62 |
String Quintet in C Major arr. for Piano |
1826–7 |